The mighty Zoom L-12! Thoughts below.

  1. All the Sub mixes.
    Send the drummer a click? Yes. Hear my vocals dry and in all their pitchy glory but with plenty of reverb out front? Yes (I guess.😬). 
  2. Save a bunch of mixes.
    I have a playing-solo mix, an in-the-studio mix, a playing-with-a -drummer-only mix … 
    If you use tracks or loops live you need to be looking at this mixer.
  3. It’s a really great DAW interface.
    Seriously. I was not expecting this. Real convenient. I actually just put my UA Apollo in the drawer/ to-maybe-sell pile. I use it with Ableton.
  4. Sounds great.
    It is very transparent, and it will only sound great IF you spend some time with it. And not even that much time. 
  5. It’s light.
    If you are a gig’ing pro or you rearrange your home set-up a lot (daily?), which should be everyone reading, this is huge. Real livable.
    Easy-to-manage wall wart. Etc.
  6. Bonus:
    Record every show and roll tape the next morning. How was the the gig really?
    Great for practice too. 8 gig cards hold a lot, and how many of those do you have sitting around? 
    **Also, you can go semi-old-school and occasionally step away from the DAW.**

I shopped around for a year. Real satisfied. Please ask questions etc. 

-jd

A happy guy making a happy EP (Acoustic)

Working on a single, and I am going deep.

Previously okay with writing and only flopping it out there (like this), I am now working with someone that does not accept this kind of disrespectful behavior.

The key word above is, “only.”

With some re-writes, a lot of what felt like wasting time, and some heartache (but not much), what I have now is way better than what I started with.

And hearing from so many artistic’s that they are having a real rough time creating (I feel it too.), it is a perfect time to keep it all moving forward by finishing. Mainly the good songs, but I’ll be finishing the suspiciously-usable too. (And doing it all without starting another podcast!)

I really feel like I have not fully completed the elemental framework of a song (and a record and an ep). But now I have, and I kept watch on the way to happened, so I can repeat it! I, I, I, I …

NO there are the complete songs in the first record, but boy was it a blur. And out of a total of about 150 finished, I am just now figuring this part out. (The Acoustic EP was easy, since it was basically acoustic.)

This not all to say that you should not show your work because you should. This blog is about: process. And that if you are past your prime according to the the numbers, the numbers probably exist in you your head only. So you should go on and do what you feel you should be doing, artistically.

-jd

I get up super early. I never really know what to do with myself post-coffee. Happily, due to getting these songs out, I’m trying to plan a little more. Cutting out a lot of the farting around. So I’ve taken to some headphone jamming down in the studio.

The Creek!

I didn’t ever like to call it jamming, but Sebastian pulled me over the line. (This video, containing a lot of jamming, really changed the way I think about a lot of music.) Getting a jam out is an amazing way to start your day, and electronically, you can just throw on the headphones. No one’s the wiser.

Even if you do not yourself jam, you get it, yes? (It’s like a walk by the creek, which I also do in the am.) There is something to doing all of this when your world is not up. Breaking the silence with headphones.

So, en route to getting these 35 songs out, I plan to work them out with the morning jams. This means words done (night before), song ID’d and cued up on the system, and chords generally known. Day on has been a complete success.

More on how it goes later.

-jd