My early AM view

Hopefully you did not come here for advice, but I bet you may be looking for new ideas.

My Idea

Spend a week with a synth. (A month in my case.)

Which synth does not matter and is the wrong kind of detail! If you have an iPad you have acres to a world of them under $10.00, and you also have all YouTube to get you going in the right direction.

What did I find out, learn, or reinforce in a week/ in week one?

1. Make new sounds from existing ones. You do not have to start from a basic patch. (This is how you make a basic patch.) Think of presets as a springboard.

2. I am not the player I could be, but I’m not as bad as I thought. In fact, I may play a song live this weekend (typically only perform w/ guitar).

3. All synths sound the same to the general public.

4. In the context of a mix, effects may be more important than the synth patch/ tone.

5. I really do love my first true synth love, this Alpha Juno. (Yes my site and record label are named after the AJ series.)

6. I am a writer first player and player next, but I still need to be able to get my ideas across as fast, efficiently, and as accurately as I possibly can. A/K/A I need a practice routine. [Austin Kleon has already said how succinctly.]

Random Thoughts

Patches matter less I thought they did, but they still matter a lot. Better general keyboarding will speed up the demo process for me. Committing to the journey and work of #programertoplayer will pay-up huge. I have a much better ear than I used to.

The AJ2 in almost-action

Uno Mas

Knowing this synth well will also save me real money. I think we all know that going out and buying a synth or spending time researching/ SHOPPING for new models—for the “sound in your head”—is wasting energy as compared to practical application, never minding that “sound in your head” is probably just lazy journalist writing that we’ve all come to accept as true.

Imagine not shopping as much. Or imagine the habit of going to your synth when you have something in mind.

For me, my key here and to my writing is this: the process is my reward.

The end-of-the-line song is fine, but if you do not love the journey and keep faith that it will end somewhat victoriously, you may need to rethink things. Out of everything, reenforcement of these is the true one synth lesson for me.

Epilogue

So do you sell everything else?

(Gear is the worst! *and the best)

Why am I writing all of this?

READ THIS! Disclaimer

To find my audience/ spread the music.

Listen here.

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