I rated my 35 written, but unreleased songs: 12 1’s, 17 2’s, and 6 3’s (ascending scale). It was a lot easier than I thought, and I showed no mercy to the recent, or in some cases, the not-so-recent me, with the only criteria being, “Is it good? If so, how much so?”

Decisions had to be made quickly, so it was this am that, in a nod to efficiency, I decided not to work on the 3’s. At all. Notice I did NOT say I dropped them. Still something there in a few. They are just–they each have issues that feel like a lot of work ahead. There is a point where that all gets to be way too much, and art gives way to dirge. That’s never good with songs.

Considering cash and time, the 17 2’s are destine for a mix tape/ b-side release. There is no point in having good songs in the vault.

Could the 2’s be 1’s? Sure. But the goal is releasing these songs. Some I personally like better than some of the 1’s, but that does not men they are better, which I am sure only makes 1/2 sense. Historically I’ve been a fan of demos and b-sides, and good thing since I end up with a lot of them

I’m saving the #1’s, the 12 for outside production help, with an eye to an album or a bunch of ‘pro’ singles. There is something about each that makes them 1’s, and I cannot say what it is. I’ve investigated this slightly, and may be unknowable. But there does not seem to be any sense in really knowing, just like there is no reason to know where a song comes from. It’s just not worth investigating. Keep it magical/ mystical.

Phase 2 of the system starts tonight with setting up for the am. More on that next.


When the biggest problem you have is how to get all the songs up and out, you have the good kind of artsy problems.

Stretching for material is not my issue. I’ve released 12 with 35 to go. And say 5 won’t make if for one reason or another, that leaves 30. That’s still a lot.

Antithetical to general artistry, I’m going to have to create and execute a plan; one album (11 songs) and 2 mix tapes (9/10 songs ea.). Mix tapes out while I work on the ‘real‘ record.

How many things can stop you from getting something like this done? All of the things.

So, I.D. the snags and eliminate the bottlenecks. In this regard, I’ve divided OPE–my studio–in two. One half is for creation, and the other is for finishing. The thinking here is only create when creating, and only finish when finish. This works, and having two spaces keeps proper mindset.

Also, what goes together and what doesn’t? What’s the message and does it make sense to say some things together? Any of this knowable?

And, besides the song-songs, there are instrumentals. Include those or do a separate release. Is work on instrumentals just a way to avoid getting the sing-songs done? But instrumentals are songs.


This is the long route to: a lot of stuff coming out, some sooner rather than later.

Modern List-ing.