Here’s a live compilation of especially early mrtorian works.

Using it as bait to tune-up the Bandcamp page, it’s the first step in a move away from larger streaming services. We’ll see how well this strategy does, but with 55k songs added to Spotify in a day (yikes) 2 sold gets us WAY ahead of the game for ’21!

_jd

House concerts are not ehe future. They are the now.

Friends and I are putting on neighborhood house shows during all this COVID mess. 30-something shows later we’ve paid out over $30K.
IG page here.

We’re in Austin, and it’s easy to find talented musicians who want to work, but it’s easy anywhere and will work when you try it.

First you need a PA and someone who knows how to work it. If you do not know how to work one, only invite musicians who know how to work one. Sometimes you need a PA. Sometimes artists have one. You can also rent one.

Bose are easy. Keep it very simple.

What I’m getting at here is that there are very few barriers when putting together a show like this. So no need to make them (excuses) in their absence.

TWe have found the following to be true evry time:
_Folks really like seeing music this way
_ People love showing off their pads
_Having Musicans at your house really impresses the neighbors

The vibe for this kind of thing is very strong. People like or like to like live music and they want to help. They know they are helping and have accordingly given generously

It is the now.
Step one tomorrow: How to Schedule a House Concert.

-jd

The mighty Zoom L-12! Thoughts below.

  1. All the Sub mixes.
    Send the drummer a click? Yes. Hear my vocals dry and in all their pitchy glory but with plenty of reverb out front? Yes (I guess.😬). 
  2. Save a bunch of mixes.
    I have a playing-solo mix, an in-the-studio mix, a playing-with-a -drummer-only mix … 
    If you use tracks or loops live you need to be looking at this mixer.
  3. It’s a really great DAW interface.
    Seriously. I was not expecting this. Real convenient. I actually just put my UA Apollo in the drawer/ to-maybe-sell pile. I use it with Ableton.
  4. Sounds great.
    It is very transparent, and it will only sound great IF you spend some time with it. And not even that much time. 
  5. It’s light.
    If you are a gig’ing pro or you rearrange your home set-up a lot (daily?), which should be everyone reading, this is huge. Real livable.
    Easy-to-manage wall wart. Etc.
  6. Bonus:
    Record every show and roll tape the next morning. How was the the gig really?
    Great for practice too. 8 gig cards hold a lot, and how many of those do you have sitting around? 
    **Also, you can go semi-old-school and occasionally step away from the DAW.**

I shopped around for a year. Real satisfied. Please ask questions etc. 

-jd

I get up super early. I never really know what to do with myself post-coffee. Happily, due to getting these songs out, I’m trying to plan a little more. Cutting out a lot of the farting around. So I’ve taken to some headphone jamming down in the studio.

The Creek!

I didn’t ever like to call it jamming, but Sebastian pulled me over the line. (This video, containing a lot of jamming, really changed the way I think about a lot of music.) Getting a jam out is an amazing way to start your day, and electronically, you can just throw on the headphones. No one’s the wiser.

Even if you do not yourself jam, you get it, yes? (It’s like a walk by the creek, which I also do in the am.) There is something to doing all of this when your world is not up. Breaking the silence with headphones.

So, en route to getting these 35 songs out, I plan to work them out with the morning jams. This means words done (night before), song ID’d and cued up on the system, and chords generally known. Day on has been a complete success.

More on how it goes later.

-jd