We here at AJR look to be getting close to relaunch. We take things slow, playing the (very) long game. We stand tall in polar opposition to the viral, super-temporary nature of current musical things.

We understand today’s climate. And since things are the way they are, and since we are here today, this is the world we live in.

No complaining. Just doing.

Hopefully through our re-do, the blog, and the MUSIC, we won’t moralize, ask you to respect anything, complain about the way things appear to be. Nothing like this.

We work, moving forward, and exploring new solutions to old problems (that seem new).

What’s the problem?

Some people have not heard the music. We know it’s not for everybody. No music is for everybody. But ours is for somebody. We know because we’ve found fans/ friends all over the world. We want more.

Then we can make more music. Happily it’s a never-ending cycle.


A lot of musicians are now out pushing non-music almost-services, many thru some sort of subscription. A lot more of them are making way less music. Maybe touring is the worst and like to work from home too.

YouTube and Instagram is ready-to-go with jr Svengali’s ready teach you how they got to where there are, this destination-place is never really identified or explained. I think they are mostly professional googlers.

Come on, who among us has not tried with some desperation to rationalize or legitimize time on screens?

I’ve signed up. I’ve taken classes with the masters. It all just got in the way of making music; of writing, and rewriting, and editing, and all the other horrible things I simultaneously love and hate to do.

Today I read an email from and artist who was selling future “content.” Seriously.

Join now for “content.”

Try harder!

Next he’ll be interviewing YouTubers. Let his low be a lesson. Don’t watch. Get back to creating your own content (Good grief.).

Neil Gaiman said it best when it comes to writing (sub your thing here). When it’s time to write he gives himself 2 options: write or do nothing. Like “not anything.”

So, quit shopping and make something.

And don’t be boring.


Introducing Six 5-Point Stars:

  • Conceived on an a.m. walk yesterday, the new e.p. should be about a 5-minute walk itself.
  • 6 tracks planned. The name is a play on a pretty luke-warm record rating (Hello Pitchfork.).
  • ‘Should’ because this all happening real-time. The idea is to break down time and the all impediments between [writing + arranging/ recording + mixing/ mastering] and [getting the thing released]. So I am now both starting and finishing. Hope to have a couple more songs by the long weekend’s end. 
    I hope.
  • There will be one single out on streaming (demo here), and the rest will be for sale on Bandcamp. But, the whole dang thing will be free to you dear readers of this very mailing list.
  • There will also be a $10.00 BONUS version in which purchasers will not only get the digital files, but will also get some stickers, classic rock pins, and a couple olde, classic cd’s from the back catalog.
  • Ten $20.00 farm-fresh/ hand-crafted/ organic/ trade certified cassettes will be available. Made on demand and with paint-pens and sh*t.

Thank you, and please tell your friends to sign up for the email list.


Almost strictly #80s #djset yesterday. Fun to air all that stuff out. Some really nice surprises, and I few former sure-things just don’t work anymore. [ #setlist below] #austindj 

*Work For Love, #Ministry is a bit of lost classic when you consider the more well known part of their catalog. 

*99 Red Balloons — don’t play it in a DJ set. Period; especially if you have the English version. 

*Any Police works if you’re outside and it’s sunny. 

*Album versions of #daftpunk #GetLucky is great. 

*People love #MissingPersons even though they are not immediately recognizable to most. 

* #RunningUpthatHill into Big Love was a good idea. Works. Same drum beat. Although, sonically Big Love songs 100x better. 

*I bet you could play Everybody Wants to Rule the World 3x in as many hours stink-eye-free.

* Always end with Love Plus One. Always. 

SET \/ \/ \/ \/ \/ \/ \/ \/ \/ \/

Drowned World/Substitute For Love, #Madonna

Walking On The Moon, #ThePolice

Running Up That Hill (A Deal with God), Kate Bush

Big Love, Fleetwood Mac

When The World Is Running Down, The Police

T’ain’t What You Do (It’s the Way That You Do It), Fun Boy Three

99 Red Balloons, Nena

Too Shy, #Kajagoogoo

Set Adrift on Memory Bliss, PM Dawn

Do You Really Want To Hurt Me, Culture Club

Voices Carry ‘Til Tuesday

Never Let Me Down Again, #DepecheMode

Cruel Summer, Bananarama

Work for Love, Ministry

Hold Me Now, Thompson Twins

Instant Crush, Daft Punk Feat. Julian Casablancas

Everybody Wants To Rule The World, #TearsForFears

Pelota (Cut a Rug Mix), Khruangbin & Quantic

Enjoy The Silence, Depeche Mode

A Roller Skating Jam Named Saturdays, De La Soul

Crazy (12_ Mix), Icehouse

Cold Heart (PNAU Remix), Elton John & Dua Lipa

Get Lucky, Daft Punk Feat. Pharrell Williams & Nile Rodgers

Me Myself and I, De La Soul

Holiday, Madonna

Pale Shelter, Tears For Fears

Dance Reaction, #MetroArea

Bizarre Love Triangle, #NewOrder

Chameleon (feat. Kira Divine), #PNAU

(Keep Feeling) Fascination (Extended Version), The Human League

Dreams (Gigamesh Remix) Fleetwood Mac

If You Love Somebody Set Them Free (My Songs Version), Sting

The Jam, Kideko

Lover Come Back (To Me) [Extended Version], Dead or Alive

Love My Way, The Psychedelic Furs

Don’t Go (Re-Mix), Yazoo

Ray Of Light, Madonna

The Telephone Call, Kraftwerk

Just Can’t Get Enough (Schizo Mix), Depeche Mode

Regret (New Order Mix), New Order

Words, Missing Persons

Love Plus One, #Haircut100

(the pictured cassette is some old thing I got at Goodwill a long time ago. Found an amazing lot of self help tapes.)

Learning the MPC has really changed the way I look at Ableton and everything else in my recording and producing workflow.

Cross trains is good work. I know this, but sometimes reminding helps.

I used this nü MPC sensibility this am when I sat dow to make my #botd (make one thing every morning–at least 5 a week.) It’s sped up my Ableton work flow, really helped with phrasing, and helped me make decisions and commit in regards to song segments.

Also, Scaler 2.5 is very helpful melodically as well as speed-wise. Having some assitance once I have the chord structure is huge. I can only imagine the workflow improvements once I build up a bit of speed; tracks in hours not days.

Is it cheating? The best answer I’ve heard besides the very accurate “no” is: ‘Who are you cheating?’

Track is below. Have a great day.